2015 Pantone Quilt Challenge- Marsala Edition

Well, you all know how I felt about Marsala when it was first announced.

BUT I love a good challenge, and I have always wanted to participate in the Pantone Quilt Challenge hosted by Anne @Play-Crafts and Adrianne @On the Windy Side. I missed out on Radiant Orchid last year ( I had all the fabric and forget why it never got done), so Marsala it was.

Marsala button

I wanted to try and use colors that maybe weren’t the easiest to match to Marsala. I wanted to try and bring out some of the other undertones you find with it, while keeping it warm and friendly. I bought a bundle from Hawthorne Threads, and then added colors to my shopping cart until they looked good on screen. Of course thats always a gamble, the screen won’t show how bright or vibrant a fabric is, but I lucked out and got exactly what I thought I was getting. Woo hoo!!

And then it sat. and sat and sat and sat and sat. AAAAAAAAAND SAT. I had too many ideas to try and time kept on slipping away. I started to panic.

When I finally realized I was overthinking things, I took a step back and started looking through some of my books. I came across the pattern “In the Throne Room” from the book Modern Rainbow by Rebecca Bryant and experienced a true blue AH-HA! moment. I didn’t make it exactly, but you can see the influence in the layout.


Presenting Trade Winds.


Trade Winds is 42″x55″. For the background I cut into my huge stash of Cotton and Steel Dotties Cousin in Linen. I think it is the perfect neutral and gives a really natural warm glow to the quilt. I picked eight of the Marsala fat quarters based on their value from darkest to lightest and paired them with the jade and tangerine. Those two hues are very very different, but work so well to pull out the earthy tones in the marsala. I also arranged them by value, so the bars fluctuate from dark to light to dark a pair of times across the strip. In the spirit of doing things that are a challenge for me, I left a TON of negative space. I also decided, after laying the strips out, that alternating the direction of the prints really made the quilt interesting, like a back and forth between the two groups of Marsala at either end. IMG_4457

For the quilting, I took a chance on a variation of a design I saw on 13 Spools. Amy Garro has some great tutorials for quilting, and my favorite is her Matchstick feathers.  I am not quite at feather level on the long arm, so I thought I would do some freemotion large swirls, in part to contrast with the pieced bars, and in part to start getting used to the control it takes to really reign the curves in. As I went, I decided to add some horizontal spaced lines to compliment my spaced bars and add the contrast to the swirls. It isn’t matchstick, but the effect is what I wanted,and the result looks like a cloudy sky with the wind blowing between them. The almost Oriental color theme, the back and forth of the colors,  and the quilting stuck the name Trade Winds in my head. I think it really suits. I used Aurifil 40wt in Sand for the quilting, and the darker thread did wonders for the quilting!

Of course I Marsala bombed the binding with my favorite arrowhead print, which I also alternated the direction of as a nod to the bars.

This quilt is very different for me, with a lot of super bold elements, and I really love it. I am also happy that I was able to use a unique color pairing to bring out the best in the Marsala. I actually kind of like it!

Linking up with the 2015 Pantone Quilt Challenge.

Happy Stitching,


The Dress Post

So many of you not might know, but I used to be a seamstress. I have a diploma in Fashion Production from Olds College, where I had the best two years ever! I started out with lofty goals, but as I settled more and more into myself, I realized that I was very happy sewing what I wanted to sew. I worked for a mascot company at the time, which was a fun job. I even modeled for them. Though you wouldn’t know it was me ;) Unfortunately life (and a future husband) happened, and I had to leave the company, but I kept up my sewing skills by quilting more and more. Our small northern town didn’t have a garment fabric place, but there were some amazing quilt shops, one about a block from my house and another that was totally worth the scary drive down the back roads to the barn of awesome quilty goodness.  I don’t know if it is still there, it was basically a plywood sign with an arrow that said Quilt Shop on the side of the highway.

Yup, that says Alaska Highway!

Yup, that says Alaska Highway! The star is an approximation…

Garment sewing is a whole ‘nother thing compared to quilting. If you cut your quilting fabric off grain, you can usually steam it in place and stitch the heck over it to make sure it stays there once its quilted. If you cut a dress off grain, after about 24 hours of hanger time will leave you with an uneven hem. Gah! Hems!! And then there is zippers, buttons, holes, understitching, stay stitching, armholes, sleeve caps, pleats, easing, gathers the proper way….you get the drift. I fell away from garments for a while, picked it up here and there again, but for the most part I gravitated towards quilting.

A couple months ago my best friend started her blog about all the things she sews for herself and her daughter, and it really fed those embers of garment sewing that were laying dormant in my brain. I was super inspired, so just before Quiltcon I reached out to Windham Fabrics. I was making a quilt for their upcoming Flora Collection by Kelly Ventura, and they have a cotton lawn in the main print that I really felt the need to sew with. I was also lucky enough to receive yardage in the new Low Country Indigo linen. I figure might as well jump right back in with both feet. As I was sewing, I decided to jot down some notes, for when I finally got around to blogging about them.

For the Flora fabric I chose a classic skirt pattern that I have had for ages, McCalls M5430 Misses Wrap Skirt. The weight of the lawn was perfect for this pattern. I wore it 4 times on my 5 day trip to quilt con. Thats how much I love it! The pattern is relatively easy, my paper pattern cover says its a 1 Hour Easy project, but it certainly takes longer than that. Especially when cutting it out properly.  IMG_20150205_182210

I made version A with the pockets from C. One day I might make myself a normal C, but I love the front ruffle from A. It definitely takes patience if you aren’t a garment sewing person, the gathering was a little wonky on the pieces (as in, didn’t fit and I think it was a marking issue from this pattern. Again, its an oldie but a goodie!) Windham liked it so much that they took my little skirt and photographed it all professional like and put it in the Look Book for Flora! They have a much more flattering picture of it. I can’t wait to get it back and wear it again!


The pattern I chose for the Low Country Indigo was from Butterick Retro, B5603. This pattern is one of my favorites, the only problem was how BIG that skirt is. The pattern is made for a crinoline to go beneath it and hold out the skirt. I was NOT making a crinoline (or buying one for that matter) and the linen was a heavier fabric than the recommended fabrics for the pattern. So I had to pull out my more than slightly rusty skills and alter it myself. I don’t recommend altering patterns unless you have either done it before or are with someone who has, it is really easy to jumble things up. You really need to keep an eye on the grain lines, make sure the lengths of the seams still match (not the outside edge, but the 5/8″ in from the edge where you actually do the sewing), and know where its okay to take the extra out. What I did probably constitutes as grading rather than altering, and i was running a lot off the little instinctive voice in the back of my head, but I was successfully able to remove just over 40″ of circumference from the skirt while maintaining the drape and shape of the waist, skirt panels and hemline.  Woot!



I made version C, I love a crossover neckline. On me though, that particular neckline sits higher than I normally wear, so when I make this again I am going to tweak that as well. I also changed the wrap over back ( which looks just like the front) into a single piece to save fabric.


I Just love the top print!


I have a serger that I used to finish all my seams, and hid the rest by hand sewing the bodice lining over the seam of the skirt join. I love a clean look inside, even if no one will see it but me. I know it there, and along with clean underwear, clean seams are something you want in a garment in case you ever have to go to the hospital. No Sloppy Seamstress Syndrome! My serger was polite enough to ease the hem as I finished it ( a combination of tension tweaks meeting off grain hem) so that took a whole lot of work off the finishing.


Those hash tags!!! YES PLEASE!!!



I make a better mascot model, but here you go!

I make a better mascot model, but here you go!

I love my dress and skirt SO MUCH! The Low Country Indigo also comes in quilting cotton on a white background, its pretty gorgeous. And Flora is going to be shipping out soon. I love it a lot! I have two patterns coming out with Flora, and the quilt I made will be hanging at the Windham booth at Spring Quilt Market! I will write about that quilt later, but in the meantime, here are the little notes I wrote while sewing:

-MOCKING!! Mock up are important to check the fit and structure of a garment. usually broadcloth works to mimic the lightweight to sheer fabric, and muslin for the heavier fabrics. Baste the seams of the mock up, and once it fits how you want, transfer the alterations to the pattern.

– Make the pattern for your bust size and then adjust the rest. The bust line dictated everything from where the waistline sits, to the armholes, neck size, and shoulders. So if your bust is a 12 and your waist is a 14, make the 12. Waist and hip are straight forward, you just add an equal amount to each seam to achieve the size you need (remember to split the amount between both sides fo the pattern piece. So a half inch to each seam means a quarter inch to either side of the pattern piece)

-Tissue patterns have stretch. Cure them before pinning by pressing them with an iron on the nlon setting. this adds a little static, so they cling to the fabric, reduces the wrinkles and you don’t get nearly as much stretching.

-If you use a rotary cutter to cut garments, use the smallest one possible and a straight ruler ( I use a 1″x 12″ grid ruler) The ruler will protect your fingers, and the smaller rotary wheel has less surface area, so the fabric won’t be pushed as far off grain as it does with a larger wheel, which has a larger surface area per turn.


These are some very basic notes, if you are a first time garment sewer, I would recommend finding tutorials or books to help. I still have all my books from college, but a really great resource is The Sewtionary. Tasia is a local Vancouver designer, and she has a great pattern line that is perfect for first time garment makers, Sewaholic. Each pattern has a how to on the site, as well as a sew along that you can follow to answer any questions. I have a number of her patterns, and I am going to be getting some more Flora to make the dress from for summer.

Happy Stitching!


Lanterns- A Tutorial

A few weeks ago I was invited to participate in the What Shade are You Blog Hop by RJR fabrics. I am always up for a blog hop, it gives me the chance to bring some of my Quilt Design a Day designs to life AND give away some great fabrics to a lucky reader!

Blog Hop 2015 logo C small

Back in December one of our inspiration photos, called Sparks and provided on a weekly basis by a QDAD member, really struck me with its colors and intensity. Taken during Snowmageddon, that particular QDAD design I had flagged in my head as one to do up as a pattern. The timing was perfect, as RJR sent the invite not a week later, and that design came to mind.

QDAD Spark Photo Courtesy of Alyson@ The Hasty Quilter


I had a lot of fun narrowing down the colors to use from the Cotton Supreme Solids. RJR has 149 solids colors to choose from in the Cotton Supreme line. They have a beautiful drape, weight, and feel to them. They might actually become my new favorite.

I tweaked the design to make it lap sized. The construction is a basic log cabin with a few fun color placements. This design would look great in some of the other color offerings RJR has as well.


Cherrywood- 297, 282, 283, 289, 291, 294


Kelptastic- 342, 348, 349, 327, 328, 300


Winter Dogwood- 297, 282, 283, 289, 291, 294

Now, normally I wouldn’t just show you a quilt top, I like my quilts to be finished and bound and presentable. However, in this case I am saving this top to be finishe don a long arm. Quite possibly by me. Which is super super super awesome!

Alrighty, on to the good stuff!!


Lanterns Glow Tutorial

Finished Quilt: 54”x 66”

Finished block: 12” square

Fabric Requirements

1/4 yard medium bright yellow (Cotton Supreme 9617-337)

1/4 yard bright yellow-orange (Cotton Supreme 9617-140)

1/2 yard medium tangerine (Cotton Supreme 9617-276)

1/2 yard light blue (Cotton Supreme 9617-327)

1 yard medium blue (Cotton Supreme 9617-300)

2 1/2 yards navy for background (Cotton Supreme 9617-191)

1/2 yard royal for binding (Cotton Supreme 9617-345)

3 5/8 yards for backing

64″x 76″ piece of batting


Tip: Use a light spray of starch or starch alternative before cutting to help keep the pieces from shifting and skewing while sewing. Spray on the wrong side and press from the right side of the fabric.

From the medium bright yellow cut:

20 rectangles, 2”x 3 1/2”

From the bright yellow-orange cut:

20 rectangles, 2”x 3 1/2”

From the medium tangerine cut:

40 rectangles, 2”x 3 1/2”

From the light blue cut:

40 rectangles, 2”x 6 1/2”

From the medium blue cut:

40 rectangles, 2”x 6 1/2”

40 rectangles, 2”x 9 1/2”

From the navy cut:

40 rectangles, 2”x 9 1/2”

40 rectangles, 2”x 12 1/2”

4 strips, 3″x 42″

2 strips, 3″x 19″

2 strips, 3″x 12″‘

From the royal cut:

7 strips, 2 1/4”x 42” for binding


All seams are 1/4” unless otherwise stated. Pieces are sewn right sides together.

Take the medium bright yellow and bright yellow-orange 2”x 3 1/2” rectangles and sew them right sides together. Press the seams open to make the center squares.Take the medium tangerine 2”x 3 1/2” rectangles and sew them to either side of the center squares as shown. Press towards the center square. Take the light blue 2”x 6 1/2” rectangles and sew them to the top and bottom of the block. Press towards the center square.

Lanters Illustrations

Take the medium blue 2”x 6 1/2” rectangles and sew them to the sides of the block as shown. Press towards the center, and then sew the medium blue 2”x 9 1/2” rectangles to the top and bottom. Press towards the center.

Lanters Illustrations

Take the navy 2”x 9 1/2” rectangles and sew them to the sides of the block as shown. Press towards the center, and then sew the navy 2”x 12 1/2” rectangles to the top and bottom. Press towards the center. Trim and square the blocks to 12 1/2”x 12 1/2”.

Lanters Illustrations


Sew the blocks together into rows of four as shown. In the odd rows the second and fourth block will be rotated, and in the even rows the first and third blocks will be rotated. Sew the rows together into the quilt top.

Sew the 19″ navy strips to two of the 42″ navy strips to make two side borders blocks 60 1/2″. Sew the 13″ navy strips to the remaining 42″ navy strips to make the top and bottom borders 53 1/2″. Sew the side borders to the side of the quilt top, matching ends and centers, and press towards the borders. Sew the top and bottom borders to the quilt top, matching ends and centers, and press towards the borders

Piece the backing together so it measures approx 64″x 76″. Layer the quilt top with batting and backing; baste. Quilt as desired. Join the royal 2 1/4″ wide binding strips using a diagonal seam to make a single long binding. Fold the binding in half and sew it around the quilt top on the right side. Turn the binding to the back and secure in place by hand or machine. Label and enjoy!


You could quilt each color individually, changing threads each time, to hide the quilting and let the blocks pop. Alternately, you could choose a medium blue thread and quilt in straight lines that radiate out at angles from the center of the block to mimic the flow of light, and then use a swirl in the yellow sections to soften out all the hard angles.

If improv is more your thing, you could easily make the blocks using varying width strips for a modern wonky log cabin look. Construct the blocks in the same order, using pieces with varying widths, building the log cabin outwards. Use the indigo round to bring the blocks to just over 12 1/2”, then square. Put them all together for some fun and funky movement to your Lantern Quilt.

I hope you enjoy making your own version of Lanterns Glow. I love to see what your make, so please send me some pictures of your finished quilt, or upload them to the Stacey Day Quilts group on Flickr. You can also tag me in instagram @staceyinstitches #lanternsquilt

RJR has generously donated a bundle of the same fabrics used in my Lanterns Glow quilt to give away to one lucky reader!

Simply comment below with an answer: What color are you and why? Entries will be open until 8pm Sunday, when I will draw a name using Random.org.

winner lanterns

Congratulations Michele!

The Winner was #27, Michele, who said “Beautiful quilt and I absolutely love the name for it!!! My favourite colour would be Aqua so #292, #291, and #289 are my colours!! I would love to make a quilt just like yours and it would be perfect for a gift to my BIL!! Thanks for the chance!!”

Thank you for entering Michele, and thank you to everyone who came by to visit!

*Full Disclosure* When I picked out my fabrics I did so without a color card, and what I thought was Navy was actually that beautiful royal almost purple at the bottom of the bundle. I am using it for the binding and back of the quilt. In the meantime, I found the correct color sku for the Navy and used that in the quilt as well as quoted it correctly in the instructions.

2015.04.03 B 2015.04.03 C

Enjoy your long weekend, I know I will be sewing and spending time with family (and eating chocolate, shh! Don’t tell my diet!)

Happy Stitching,


A lot ‘a Lotta! Sneak Peek!!


A couple months ago I had the opportunity to design a quilt with the upcoming Windham Fabrics line by Lotta Jansdotter. I love Lotta! I have a ton of carefully hoarded Glimma in my stash, and have added all of my favorites from each of her lines over the years. (I would show you a picture but no one needs to see the disaster that is my stash). I have been keeping the finished quilt a secret, and finally last week Windham and Lotta started sharing sneak peek photos on Instagram ( @windhamfabrics and @lottajansdotter ).

So now I get to show you all my favorite quilt!!



Meet Playing the Odds! I love this quilt so much! I had a lot of different design ideas along this theme. My inspiration was the name of the new collection: Lucky. I wanted to try and capture a game of chance kind of feel with the quilt, while using as many of the bright and colorful fabrics as I possibly could. I also wanted to show off Jerry the Cat. The Jerry print is adorable and is one of the signature prints of the collection. At Quiltcon Lotta was handing out Jerry patches to iron on to your clothes. I have a pair of Jerrys put away for something special. Probably a bag =)



My good friend Joan at Maple Leaf Quilters did the quilting for me. I picked a nice big swirly design to soften out all the angles of the squares. And of course I had to take my Lil’ Lotta paper doll to the photo shoot. I have discovered that the park by my house has a TON of great setting and backdrops to take quilt pictures. As long as it stops raining of course. Usually the sun is setting by the time the rain stops, but we managed to get some nice shots.



The Hubster is getting really good at holding quilts for me, don’t you think?

I almost cried when I sent this quilt to Windham, but I have enough left over to make another one so the Post Office lady only had to pry the box out of my hand a little bit ;) The pattern will be available on the Windham Website as a free pattern. In the meantime check out Windham and Lottas Instagram feeds or Facebook for more sneak peeks of Lucky and all the great projects you can make with it!


Happy Stitching!


Work Work Work!

Seems that all I have been doing lately, and not a whole lot that I can share at the moment.

One of the things I CAN share is the Rainbow Confetti Quilt!!

This pretty lap quilt is in the latest issue of Modern Quilts Unlimited. I made it using Color Theory by V and CO for Moda. I love everything V and Co does! The block is one of my favorite asymmetrical blocks. You can really make things pop when you start playing with rotation and layouts.

Rainbow Confetti

Rainbow Confetti


I used the Ombre in Navy for the backing and the binding. Oh man, the Ombre!!



March 1st saw me frantically sewing February bee blocks for the Great Canadian Stash Busting Bee. Since I was making Feb block, I figure I might as well sew the March blocks too! I also finished the March block for the I Love Lucy International Bee (but forgot to take a finished picture, yikes!).

IMG_20150301_192701_edit_edit IMG_20150301_192028_edit IMG_20150301_201517_edit_editIMG_20150301_195322_edit










I also finished this quilt for Windhams new collection, Forest Parade by Petit Collage. It’s printed on organic cotton and is so super cute! The free pattern will be available soon ( I will have a link on my Free Patterns page)

Forest Clearings featuring the Forest Parade Collection by Petit Collage

Forest Clearings featuring the Forest Parade Collection by Petit Collage




















I also have a bevy of patterns out with P&B Textiles. They have some great blenders (I love Dash and Color Weave) and some really pretty prints. You can find links to the patterns again on my patterns page.

I picked up this cute little Lotta Jansdotter paper doll at the Windham booth at Quiltcon (and got to meet Lotta in person! EEE!). L’il LJ has been helping out in my sewing room, coming on photo shoots, and organizing my thread by color ( to match her outfits apparently). She also gave me a hand with some of the secret sewing I have been doing!











I have some great fun stuff coming up in the next couple months. I am really really excited about it and cannot wait to share it with you!!!

Enjoy your springtime, and Happy Stitching!












Book Review- Paper Pieced Modern by Amy Garro

PPM cover

I love paper piecing, so when the opportunity arose to review Paper Pieced Modern by Amy Garro (@13spools) I jumped at the chance! I have been following AMy for a while, and the tantalizing sneak peeks were driving me crazy. Then the blog hop for the book happened and I was rewarded with a visual buffet of gorgeous quilts. I can’t help myself from gushing, because there isn’t a quilt in this book that I wouldn’t make.  It was hard to narrow down my favorites. Luckily my top three were hanging at Quiltcon, and I got to meet the lovely Amy in person. She is modest, talented, and an all around great person to be with!

Now, I have been paper piecing a very, very long time. Almost everything I do is foundation pieced. I own 5 or 6 titles of paper piecing patterns and techniques.

Amy’s book is the most straightforward, comprehensive, and informative book I have read on paper piecing. I learned quite a few things to bring my piecing up a few notches.

Amy covers everything in a concise manner, from choosing fabrics and creating an ombre effect to her piecing techniques and helpful tips. She even covers what to do for each kind of paper you might try and use for piecing, from commercially available foundation paper to regular old printer paper.


Diamonds and Emeralds II courtesy of CT Publishing


The technique she uses is well illustrated and easy to follow. Her writing is very easy to read and understand, making this book perfect for a beginner piecer. She explains the why as well as the hows, so an experienced quilter can make an informed choice when it comes to choosing a technique to use or adding to an already developed skill set. It also makes the patterns easier to understand and follow. Each pattern had a close up of her fabric choices and a blurb about why she chose them. There is even a small section on how to fussy cut your favorite prints for maximum effect, or what to do with a fabric that has an irregular distribution of the print, like the background of Apple Stars.

Apple Stars, courtesy of 13 Spools

Apple Stars, courtesy of 13 Spools

Each quilt also comes with multiple quilting suggestions to highlight different parts of the quilt or blend in. I love this small detail, it shows her careful attention to each quilt and I know I always balk when I get to the “Quilt as Desired” stage of a pattern. Her suggestions help take the fear out of this stage.


Ceiling Tiles, courtesy of 13 Spools. This is by far one of my favorite quilts in the whole book. It was spectacular in person!

Her instructions include pre cutting the pieces for each section, so you know that the fabric will cover the entire section. She also outlines how to place fabrics for extreme angles and odd shapes, as well as stitching tips to keep the seams from separating when you pull out the threads.


Faceted Jewels II, courtesy of CT Publishing. Another of my favorites.


Some of the quilts even have alternate layouts and color suggestions. For the designs that use an ombre effect she makes sure to outline exactly how to construct the blocks and the fabric placement for each to achieve the same effect, instead of leaving you guessing. I find that really helpful when choosing fabrics.


Faceted Jewels I

The cover quilt is also a huge hit with me. Icy Waters looks exactly how icy water feels ( I have first hand experience with that). It was sneak peeks of this quilt that led me to Amy’s blog and book in the first place. Again in person, it is stunning. This particular beauty was quilted by the esteemed Angela Walters, and she really captured that watery feel and softened all the straight edges with swirls.

Icy Waters, courtesy of 13 Spools

Icy Waters, courtesy of CT Publishing

Overall, I would rate the book as Excellent. The instructions are easy to read and comprehend, the diagrams are clear and easy to follow, and there is a range of patterns for every skill set. Her tips on fabric choice, sourcing, color, sewing, finishing and teaching the technique are clear and well written. I would recommend Paper Pieced Modern to any skill level, from complete beginner to experienced. I cannot wait to start sewing!

Happy Stitching!




Quiltcon: The Aftermath

Sounds like the title to a bad sequel doesn’t it? haha!

Nothing could be further from the truth.

For me, Quiltcon was an amazing experience! Learning, sewing, socializing, eating, the whole experience was inspiring and a breath of fresh air for my poor dusty brain. The new year was filled with a number of personal stressors for me. Being able to attend Quiltcon was the relief, the break from ‘real life’ I needed to recharge my creativity and take the step back that I really needed. I didn’t touch my laptop the entire time I was gone! I was having so much fun that I even forgot to take pictures. Luckily my friends remembered, so I relive the memories through their IG feeds and blog posts. (if you want to find me on Instagram, I am @staceyinstitches)


One of our daily coffee friends, Reginald. Reggie is an art collector from Sussex.


I was one of the lucky few who manage to get every class I wanted, and ended up with a waitlist bonus. I spent two days learning Piece-lique techniques with Cristy Fincher (@cristycreates) She is the daughter of the immeasurable Sharon Schambers (who is one of my personal quilt heroes). Starch and glue baste are my new best friends as a result. The first day I learned the Paper less Paper piecing. This has definitely changed my life! I cant wait to finish the rest of this quilt!

My paperless paper piece block.

My paperless paper piece block.

I managed to finish up a mini top in the second days class. It was great to be able to learn the technique the first day, then have the second day to practice the technique. I plan on adding a border around the mini to make it a larger wall size. Off center and quilted using the techniques I learned in my other classes of course!


I was super lucky to have gotten into an evening class with Angela Walters. She is practical, down to earth, and I thought she was a great teacher. I had a lot of fun in her class, and wish I could have been in an all day with her. I also won a box of her Drift Aurifil thread! Woot!


The next day was spent with Krista Withers, another amazing quilter. Her style is different, but I was able to find a happy place where I felt like I Was stitching well and I was happy with my samples. I took her Compositional Quilting class in the morning, and then Ghost Shapes in the afternoon. Definitely another set of classes that feed well into one another, and ones that I could have done every day!


The best part of Quiltcon was being able to meet everyone in person. From QDAD to Moda to Windham, being able to shake hands and hug the people I interact with online on a regular basis was just tremendous. Kim Anderson @iadorepattern and I were roommates, and we sure had a great time. I also met up with Amy Garro @13spools and we lived it up. And went boot shopping. I love my boots and left a pair of old shoes in Austin in favor of my new kicks! I also developed an addiction to Tex-Mex. I recreated one of the dishes last night that tasted like it should, woo hoo!


The highlight of the trip was our QDAD at Quiltcon meetup! We had so much fun. Amy @Badskirt wasn’t able to attend, but she was definitely there!


QDAD at Quiltcon!


In Anne’s defense, I may have been doing something with Amy’s head a split second earlier…


The entire experience is hard to explain in typing. I left feeling inspired, refreshed, brimming with new ideas and confidence and friends. I may never be back to Austin,(Quiltcon is now split into a yearly show that flips coasts each year), but I will never forget it!

So to summarize what I learned:

1. Tex Mex is the best food ever

2. Spray baste is awesome

3. Cowboy butts boots are awesome

4. I need a long arm

5. No, seriously, I need a long arm

6. Margheritas are acceptable lunch fare

7. Everybody likes buttons

8. Its okay to wave your arms and yell like a crazy person at someone you recognize (except maybe not in the TSA line)

9. 49.5lbs Checked bag= Winning


10. Quilty people are the best kind of people! EVER!











Happy stitching!